Published Texts

Through each stylistic period, Christine Arveil conducted research on the materials and techniques she used. She researched about North African contemporary art in 1992-94; she then published on varnishing techniques. Lately, her creative writing appeared in a Boston publication.

  • Publications

Arveil, Christine (2013), ‘Itinéraire Peinture – Paths to Painting’, Imprévue, (Belles Résistances – Beautiful Resistances), 23-31.
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Arveil, Christine (May 1999), ‘A thousand and one varnishes’, The Strad, 508-13.
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Arveil, Christine (1998), ‘Varnishing techniques: an 18th century European mania, a lasting fascination’, Journal of the Violin Society of America, XVII (1), 55-75.
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Arveil, Christine (1996), ‘North African Contemporary Art at the Detroit Institute of Arts’, Proposal by Christine Arveil (Detroit Institute of Arts), 8-20.
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Arveil, Christine (1993), ‘”Avec le temps” Valeur du temps dans le projet artistique’, (Université Paris Dauphine).
Arveil, Christine (1992), ‘L’art contemporain d’Afrique du Nord’, Institut du Monde Arabe, Ligue des Femmes Laïques (Paris).
Arveil, Christine (1985), ‘Watin, une monographie’, (Paris III, Sorbonne Nouvelle).

  • Publications Benoît Rolland Studio
  • At Benoît Rolland Studio, Christine Arveil assists Master Bowmaker Benoît Rolland in his publications on instrument bows and the art of bowmaking.

    Rolland, Benoit (2007), ‘Innovation and Shifting Paradigms: Innovation in Bow Making’, Journal of the Violin Society of America, XXI (2), 82-92.
    Rolland, Benoit (2006), ‘The Playing Parts of the Bow: Focusing on the Stick’, Journal of the Violin Society of America, XIX (1), 193-212.
    Rolland, Benoit (2002), ‘The Playing Parts of the Bow: Focusing on the Stick’, Violin Society of America (Fort Mitchell, Kentucky).
    Rolland, Benoit (1998), ‘The Evolution of the Bow’, Journal of the Violin Society of America, XVI (3), 97-106.

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